I Upgraded the Hard Drive In My MacBook Pro
My main computer in the recording studio is a 2.33 GHz Core 2 Duo MacBook Pro cca. 2007. The hard drive that it came with was only 120 GB, which isn't very big when you have a number of recording projects on the go, lots of photos, iTunes full of tons of music and so on. So I ordered a 320 GB drive and external USB2 enclosure from Other World Computing (only $115 after a rebate). Swapping in the new drive was surprisingly easy. Here are the main steps.
1. Install the 320 GB drive in the external enclosure, connect it to the MBPro, and format the drive using Apple's Disk Utility.
2. Create a clone of the original 120 GB drive onto the new 320 GB drive. I used an app called SuperDuper. The basic version is free, and it works great. It's very easy to use.
3. Install the new 320 GB drive into the MBPro. Shut down the computer first (obviously)! This is a little tricky, but not to be feared if you're reasonably handy with a screwdriver. The newer MBPros are designed for easy hard drive swapping, but mine wasn't - you have to take the thing apart. I followed a great instructional video from OWC. There are about 24 teensy weensy little itsy bitsy screws, and a couple of flimsy ribbon connectors to handle, so you have to be a little careful. Take your time, keep your little screws organized in the order you take them out, and it's a piece of cake. You'll need an anti-static wrist strap, a Philips #00 screwdriver, a Torx T6 screwdriver, and a strong thin plastic wedge tool for levering off the casing. I used a 1 mm guitar pick for that.
4. Once everything was back together, I booted up the computer, and checked to make sure it was working fine. I put the 120 GB drive into the external enclosure, and I'm going to keep the data on it until I'm really sure everything is working 100%. After about four weeks of using the computer, I have encountered no problems. Eventually I'll wipe the 120 GB and use it as a backup, or for offline storage.
Groovy.
Recent Music Readings
A quick blog to update the world about my reading activities. I wish I had some time to write full reviews, but I can say that all of the books below are highly recommended if you're into music.
Lady Sings the Blues - by Billie Holiday with William Dufty. This is an autobiography of Lady Day, one of my favourite jazz singers. A short but revealing book about her life, addictions, how she was exploited by others, etc..
Jelly Roll, Bix, and Hoagy: Gennett Studios and the Birth of Recorded Jazz - by Rick Kennedy. Gennett was an early recording studio and label started in 1915 by a piano manufacturer. An early recording pioneer using acoustic/wax recording facilities, they recorded numerous jazz greats: Jelly Roll Morton, Louis Armstrong, Hoagy Carmichael, and many more.
Johnny Cash : The Life of an American Icon - by Stephen Miller. Icon is right. A good bio following his life from his beginnings with some part-time musicians/full time mechanics (Marshall Grant - bass, Luther Perkins - guitar), how they caught the ear of Sam Phillips at Sun Studios with their unpolished brand new sound, through his on-again off-again pill addiction, erratic behaviour, connection with the Carter family, and so on. Fascinating character.
I Was There When It Happened : My Life With Johnny Cash - by Marshall Grant. It's the whole Johnny Cash story from the perspective of his long-time friend, bass player and road manager. It's not a really well written book - a little disjointed at times - but it's very interesting to hear the story from someone who really was there.
Soulsville, U.S.A. : The Story of Stax Records - by Rob Bowman. Stax was an important studio/label in Memphis, TN in the 1960s and 1970s. Greats such as Carla Thomas, Booker T and the MGs, Steve Cropper, Duck Dunn, Otis Redding, The Staple Singers, Sam and Dave (and many more) recorded there. This is quite an in-depth book following Stax from its inception to its ultimate financial demise. Quite fascinating. I also bought a 9 CD compilation of Stax's singles to get the aural perspective. A lot of great music came out of Stax, but many of the names are not that well known because they were up against the Motown hit machine. Although Motown had some great stuff, I think Stax deserves greater recognition.
Catch A Fire: The Life of Bob Marley - by Timothy White. Great bio on Bob Marley - lots of background and information on a reggae great. This is probably one of the better bios written about Bob.
No Woman No Cry: My Life With Bob Marley - by Rita Marley. Another good read - from Bob's wife's perspective. I didn't quite finish the book 
- I lost it at the Montreal airport last August (please let me know if you find it).
More to come in a later post!
Reggae Reading Room
Lately I've been reading a lot. Okay, I usually read a lot. More specifically, I've been reading a lot of books related to music. Right now I'm the working through The Rough Guide to Reggae by Steve Barrow and Peter Dalton. If you're into reggae or ska at all, it's a fantastic resource. It traces the development of reggae from mento, a Jamaican form of calypso, through dancehall, ska, rudeboy, rocksteady, reggae, dub, to the beats of today, and describes the influences from US-based R&B and soul. The book lists a huge (really huge - I'm not kidding) number of artists and producers that were key in the development of reggae. Of course everybody's heard of Bob Marley and the Wailers, but although they are one of the most important figures in the reggae world (and Aston Barrett is one of my most favouritest bass players ever), there's waaaay more to reggae than Bob.
Tons of recommended CDs and records are listed too, but many are kind of obscure. I discovered a website for Soul Jazz Records, which has a lot of Studio One material available on CD, LP and mp3, including many compilations. Studio One, run by Coxsone Dodd, was one of the most influential studios in Jamaica. They have a cool compilation series, the 100% Dynamite Series, which contains some good material throughout the development of reggae.
Some of the artists and bands I need to get more of: The Skatalites, Lee (Scratch) Perry, The Upsetters, The Maytals, The Abyssinians, Burning Spear, The Heptones, Alton Ellis, Slim Smith, Roland Alphonso, Augustus Pablo, U-Roy, I-Roy, Jackie Mittoo, Delroy Wilson, .... and I haven't even got half way through the book yet! And it's due back at the library in a few days! Oh yeah I think there's a companion CD you can get. I'll have to look into that.
Also included are some sidebar informational snippets on rastafarianism, and political and economic stuff that went on in Jamaica. These things are very much tied in with the music of Jamaica. Very interesting.
Side Note
Where did the word reggae come from? There seems to be a few theories on that. In The Rough Guide to Reggae, Steve Barrow says "Singer-producer Clancy Eccles, who has been credited with deriving the name 'reggae' from 'streggae' (Kingston street slang for a kind of good-time girl), ..." However, Barrow also says the first record to use the term was "Do the Reggay" by The Maytals (led by Toots Hibbert). And Hibbert says the word just "came out of my mouth" (see this article). Bob Marley claims that it came from a Spanish word meaning "the king's music". Whatever.
Making Basses!
Recently a great video feature appeared on Behind The Notes. A bass and guitar maker from NY talks about how he got into guitar making, and some of the construction and setup details on his instruments. He sounds like quite a knowledgeable guy. If you're interested in or play guitar or bass, you'll learn a bit about guitar construction, setup geometry, fret work, and more. Quite fascinating.
Sadwosky Feature
Roger Sadowsky's basses are becoming the "it" basses with a lot of players. He is a perfectionist when it comes to fret work and instrument setup, and his basses have been called "Fenders on steroids" as they are based on classic Fender Jazz and Precision designs, but with numerous improvements. What's interesting is that he has two lines of basses. A customizable line is made in New York, and naturally those are quite expensive. He also has a shop in Tokyo, Japan that makes instruments with essentially the same quality and attention to detail, but with fewer options than the NYC models (like the fancy tops), and offers them at a reduced price. They're pretty cool looking too!
Sadowsky's website
Memeza Africa is back home
After a very successful whirlwind tour, with numerous sellout shows, the choir is back home in South Africa. Hopefully we will see them here again.
Keep your eyes on their website for updates: Memeza Africa.
Check out photos of their May 3, 2008 concert at McDougall United Church in Edmonton:
slideshow here (photos by Tracy Kolenchuk).
Edit (2009.03.31): Please note they have a new website at www.memezaafrica.org
Memeza Africa is in Alberta
A bunch of great singers have arrived from Soweto, South Africa. The Memeza Africa choir will be performing all over Alberta during April and May. They sing some fantastic stuff, so you should check them out!!! Check their website for concert dates.
Here are a few of them:
Edit (2009.03.31): Please note they have a new website at www.memezaafrica.org
NTFS Read/Write With Mac OSX
I have a couple of Macs at my home studio, and I also use a couple of PCs at my University office: one with Windoze, and one with Linux. So I have a bunch of files I need to access in two locations, and in three different operating systems. I got a small Seagate 120 GB USB drive to hold my stuff, and I carry it back and forth.
The catch: accessing these files from both Winduhs and Mac OSX. Winduhs doesn't have a clue what to do with a Mac-formatted drive. OSX will read and write with a FAT32-formatted volume, but that's limited by Winduhs to 32 GB in size, and that's not much use. In order to use a larger drive you need to format the drive as NTFS on a Windows machine. However, OSX will only read an NTFS file system - it won't write! Doh!
Solution: Macfuse and ntfs3g!
Step 1:
On the Windoze box, format the USB drive as NTFS.
Step 2:
Download and install macfuse from macfuse (on the Mac of course). This requires at least 10.4 (Tiger).
With my Macbook Pro, it seemed that macfuse was already installed (OSX 10.5 - Leopard).
Step 3:
Download and install ntfs3g from ntfs-3g (on the Mac).
That was easier than I figured. So far, it works fine.
Muscle Shoals and the Rhythm Section
So anyway, here is an interesting thing. I was poking through my old vinyl record collection and pulled out a disc I picked up a long time ago ($4.99 at Madplatters - wherever that was) by the Muscle Shoals Horns called "doin' it to the bone." That reminded me of an article I had read, also along time ago, in Bass Player magazine - an interview with David Hood, the bass player for the Muscle Shoals Rhythm Section. I knew a bit about Muscle Shoals, because a lot of music came out of that little town in Alabama, with hits from artists like Percy Sledge, Etta James, Aretha Franklin (there's an interesting story why she only recorded a couple of tracks there - one of which was unfinished - and never returned), Wilson Pickett, Cher, Paul Simon, Boz Scaggs, Bob Seger and many more. It's also the birthplace of W.C. Handy and Hellen Keller. So there. Being that important in music history, I figured I should learn a bit more about Muscle Shoals, AL.
A small studio started by Rick Hall and partners called Fame Studios seems to be the genesis of the whole thing. They attracted early attention with a big hit by Percy Sledge - "When A Man Loves a Woman" - and later a bunch of musicians hanging around there garnered interest from Jerry Wexler of Atlantic Studios in New York. This bunch, which came to be known as the Muscle Shoals Rhythm Section (a.k.a. The Swampers) and consisting of David Hood, Roger Hawkins, Jimmy Johnson and Barry Beckett, decided to buy a studio housed in a former casket factory at 3614 Jackson Highway (now a museum) in nearby Sheffield. This group at this studio is responsible for recording, producing, and performing on an amazing number of big hits, covering a wide range of musical styles. They were inducted into the Alabama Music Hall of Fame in 1995 ("Non-Performing Achievement" ?? Whut?). That's just the bare outline to this whole story, so if you're interested finding out more (as I am), see below.
There's a book on the music emanating from the Muscle Shoals area called Music Fell on Alabama, by C.S. Fuqua. I hear it's pretty good, but it's not in any of my local libraries, so I haven't been able to read it yet. I think I may order a copy online.
Of course, there is also a lot of info on that internet-web thingy (and you can pretty much believe everything you read there). Here are a few links to get you started:
prosoundweb story
FAME Studios History
FAME Studios - Musician History
MSRS Bio
Muscle Shoals area attractions including the log cabin that was the birthplace of the father of the blues, and the original Muscle Shoals Sound Studios.
Or, you could just google it.
Anyhow, gotta get that vinyl spinning on the old Systemdek ....
Upgrading the studio
After a few years of putting it off, I finally have decided to upgrade the studio facilities.
Here is a list of the main new stuff:
- MacBook Pro: 2.33 GHz Intel Core 2 Duo, with Leopard (OSX 10.5)
- MOTU's Digital Performer 5.13 (soon to obtain DP 6 - it was announced at NAMM January 18, 2008, but hasn't been released yet)
- MOTU 896HD eight channel mic pre/firewire digital interface
- Presonus DigiMax FS eight channel mic pre with optical interface
- A bunch of hard drives to store the projects
16 channels of 24 bit, 96 kHz analogue-to-digital goodness!
I'm still doing some testing and rewiring. It works great so far!
Kevin
